Minggu, 29 Januari 2012

Hydro Show 1






Top Down:
Daniel Thomson & Carl Ekstrom talk design. Carl was well impressed by Daniel's newer boards.
Some old Simmons wood.
Carl's models.
The good old days.
Daniel's board that was blowing a few minds.

It was well worth the drive south, if only to hang out and talk surfboards with Daniel Thomoson and RT in fancier surroundings than usual. Incredible looking show, 'museum quality' as they say. From the original Simmons through Ekstrom and Mirandon experiments in the 60s to Lis and Frye and experimental 70s madness to where Burch and Tomo and the like are taking surfboards now, it was an intelligently curated meander down one of surfing's myriad design pathways. Show's up for a couple of months, so if you can get to San Diego in that time, go check it out. The entrance is at 325 15th St, San Diego CA 92101 and it's open Tues-Sat 10-4.

Kamis, 26 Januari 2012

Hydrodynamica- Remember The Future






As you've hopefully seen, this weekend is the opening of the Hydro show that's tied into the Getty 'Pacific Standard Time' shows. The theme here is obviously surfboard design, especially that of Bob Simmons, as a continuum of post war Californian design as a whole. RK has assembled a pretty serious array of boards and if you cabn't make the opening, the show is totally worth checking out at some time during it's run. I'll definitely take some pictures, and of course the above shots come from Andrew Kidman's brilliant Ether book.

Loft 9 Gallery
1340 16th St
San Diego CA 92101

Rabu, 25 Januari 2012

Piping Plover chicks

Make sure to give them plenty of space...


...and record each and every one you see. Spread the word, be alert for waterbirds!

Welcome to the Audubon Alliance for Coastal Waterbirds

We hope you enjoy and follow our blog closely throughout the year for important news on Connecticut's coastal waterbirds!

The Audubon Alliance for Coastal Waterbirds team

Sabtu, 21 Januari 2012

Y Niwl



Personally, I really don't like surf music that much. Or at all really. Ventures etc bore the hell out of me and I can't even be bothered with the Beach Boys, even the vaguely psych ones you're meant to like. There are exceptions of course, Dick Dale, Davie Allan (more biker rock though I suppose), Agent Orange- all have moments of great fun. The modern garage rock boom produced some great surf-ish stuff from weird places like Japan, and now this- North Wales' finest surf combo, Y Niwl. Appaently they are killer live too. Sourced from the mighty Sideburn magazine blog, another of the sites that made me start doing this, so complain to them if you must. In case it isn't obvious, the surf and weather aren't co-operating so I'm wasting free time the internet and a couple of stacks of records.

Kamis, 19 Januari 2012

Golden Gardens






This time of year, the highest tides arrive right around sunrise. A couple of days after Christmas I headed out early to Golden Gardens to see the effect of the month's highest water levels. The predicted high tide was 12.7' above MLLW (Mean Lower Low Water or a "0" tide).  According to the Seattle tide gauge, the actual water level may have come in a couple inches higher.   These photos were taken 15-30 minutes after the peak tide.


This is not an unusually high tide.  A 13' tide (these numbers hold for central Puget Sound, but would need to be adjusted for other areas) occurs an average of 7-8 times a year, although the annual variability is huge.  Some years never see a 13' tide at all.  And in El Nino years, we may get 20 or 30!  (Alki Beach:  January 2010).  


The number of high tides at progressively higher levels falls off quickly.  In Seattle, Mean Higher High Water (the average of the highest high for every day of the year) is 11.35' - and we can expect a couple hundred every year.  As noted, 13' tides average less than 8 times a year.  And 14' tides take extraordinary conditions:  either a strong El Nino, like January 2010, or a big storm with a strong surge (February, 2006). Seattle's highest high tide was 14.5' and occurred on January 27, 1983 (another El Nino year).


In these photos at Golden Gardens, we see that the still water level is probably a foot or so below the sandy berm, but that the runup of the waves is just enough to send water over the berm crest.  Berm elevations vary and can depend on wave exposure and the abundance of gravel, among other factors, but 2' above MHHW is often a good place to start.


 


More on Golden Gardens:
Golden Gardens:  July, 2011


Clinton








The eastern shore of southern Whidbey Island forms a well-defined drift cell with the dominant southerly storms and waves transporting sediment northward.  The cell originates at Possession Head at the south end of the island and terminates at Sandy Point, near Langley.  The abundant sandy sediment has led to the development of long spits parallel to base of the high bluffs.  One of these lies just north of Possession Head (Possession County Park lies at its southern end).  Another is Columbia Beach, the long low strip of land lined with waterfront homes that you see from ferry as you approach the Clinton terminal.


North of the ferry dock, the shoreline bends slightly westward and another barrier beach emerges, forming Randall Point, Brighton Beach, and Camper's Row along Hastings Road (aerial view). The original spit must have fizzled out along here somewhere, but ingenuity and some earth-moving equipment (perhaps just a big hose) filled the narrow strip of low beach berm and wetlands to create a wide enough platform on which to build cabins.














It makes for a neat neighborhood, but a geologically hazardous one, as homes are tucked into the base of steep slopes that periodically fail during heavy rain storms.  Elliott, my guide today, recalls living in one that got hit by a slide several decades ago.  Some owners have built walls to block or divert possible mud and debris. In addition, a couple of steep stream gullies also empty onto this beach, their lowermost reaches in pipes and channels that would be challenged by a large debris flow or a flash flood.











I have no trouble seeing the appeal of these places, but the geologist in me can't help but shake my head.  I doubt I'd sleep comfortably during rainy spells.


For more on the history of this community and a wonderful sense of what draws people to these places, look for Frances Wood's Down to Camp:  A History of Summer Folk on Whidbey Island.


AERIAL VIEW


Bay View







I'm trying to catch up with some posts started in December.


The original shoreline here consisted of a low bluff, a narrow beach, and the endless tidal flats of Padilla Bay.  Development involved building a rectangular fill jutting out into the bay, using sediment dredged out from under the eelgrass on the flats.  No, they couldn't get permits to do that today!  The aerial image (see link below) shows the artificial geometry of this piece of the world.


The north and south ends are marked by riprap walls, which are extended out into the bay to act as terminal groins for the artificial beach that lies on the western shore of the feature.  Two more intermediate rock groins apparently help control the beach's shape - although I'm not sure how much they add.


The original beach was built of imported sand and gravel - the material in the tide flats is too fine - and was renourished as the beach gradually eroded back into the artificial fill.  There is no sediment in the corner south of the fill, but a very nice little pocket beach has formed on the north side. Some of this sediment may have come from the eroding bluffs to the north - while some may have leaked around the northern groin from the nourished beach.


I have only heard rumors of the plans for fixing this beach -- but I admit I'm still not clear what's broken that a fairly small amount of work and additional sediment couldn't solve.

AERIAL VIEW

Jumat, 13 Januari 2012

Boards of 2011, Mick Mackie Edition








Ulladulla's own gets a special post because he delivers some absolutely epic surfcraft and keeps flowing photos that make me want to drain the bank account in order to have an unrivaled quiver. I like them well enough that I not only ride them 2 out of 3 sessions, but I try to help him sell a few. Making your beach experience better is our aim. From the top down:

21st Century Flextail- possibly the boards I covet most, simple as that.

Stinger swallowtail- OK, there's a lot of reasons why stingers were not a lasting surfboard design, but this thing looks like it'd be a screamer on a clean point wave,

Pintail- I have no info, just this picture so in my head this is a 6'6" or so single fin, beaked nose and just the step up you need when it gets over head high.

No dims or info on this one either but another fantastic looking board. I'm hoping there's a tri or quad set up underneath this and it's 6'.

Stub- The traditional single fin hull adherents will hate me for this, but I prefer the modernized version. This one is EPS and with a quad or 2+1 setup, I believe it would be what they term a 'goer'.

Twin Keel Sidecut- A design Mick has worked with and honed for over a decade. Twin or quad, it's a fish taken a step or two beyond what you can usually get from a fish. As much as I enjoy a classic twinnie, these boards have basically replaced traditional fish for me.

Each to their own and freedom for all, but no machine or popout is going to be able to bring you the creative flow that someone like Mackie has going on. It's the likes of him and all the other hand crafting innovators that keep the surfboard fresh, and I for one am incredibly thankful for that.

Selasa, 10 Januari 2012

Serious down the line speed




Awesome, Christmas day comet photos from Tomo. What a great start to the year for those of you lucky enough to see them. In some sort of clumsy aquatic comet type link, check out the Mat Tube Challenge that's been inaugurated over here at the massively stoked Ramsnake's blog. Rubber riders should get on this one- I think I'll try for some shots on the bellyboard and enter, then cry surfcraft racism when I don't win. Or maybe just get the mat out there......

AND AN UPDATE: No mat? No worries! Tomo has a special going here. Get on it, and send me a few good tube photos too.

Jumat, 06 Januari 2012

Burningflags.com


Mike Muir and Jim Muir pose for a Thrasher promotion we did, circa 1983


One of my early surf photos, shot at what was then probably the biggest surf contest in the North-East at Seaside Heights NJ- I got my first surf shot published from this same day, in Surfer magazines 20th Anniversary issue. Kevin Casey is the rider, circa 1978


Darryl 'Buffy' Robinson (RIP) of The Fat Boys in Venice holding my board circa 1984


Black Flag outside their office/home SST in Redondo Beach CA- their strongest lineup in my opinion. Circa 1984


The Beastie Boys, with Sean Penn and David Lee Roth at Madonna's first ever gold record party. This was in Los Angeles the day before or after they opened for Madonna on the 'Like A Virgin' tour, 1985.

In the beginning there was GEF. Really- my friend Craig and I wound up putting out books because we felt Glen's book need to be available, and now all these years down the line we're all still at it. Glen has just launched his official site, Burningflags.com and it's been worth the wait, filled with all sorts of bits and pieces of much interest. It's an incredible look at subcultures that meant a lot to me anyway, and all from the perspective of someone who was not only there but deeply involved and documenting it all wisely. Glen shared the above shots from the site, captions are his and don't forget we have his books available should you need something epic for the book shelf. Contact info @ foamandfunction.com and we'll set you up.

Rabu, 04 Januari 2012

Middle Beach erosion hearing


By Chris Morris on Thu, 5 Jan 2012
News: Dunedin | DCC

A public hearing next month will help decide what to do about erosion problems threatening Dunedin's Middle Beach.

The Dunedin City Council has been investigating the problems, and what to do about them, since severe storms in 2007 first highlighted the threat of erosion to Kettle Park and other facilities in the area.

That resulted in a draft Ocean Beach management plan prepared by consultant Tonkin and Taylor last year, covering a 4km area stretching from St Clair to Lawyers Head.

The draft plan recommended continuing the council's holding pattern of monitoring and sand-replenishment work - put in place after the 2007 storms - in the meantime.

However, the report also canvassed 13 longer-term options and recommended a managed retreat from Middle Beach and Kettle Park, or construction of an inland buried backstop wall to protect the area over the next 10 to 50 years, at an initial estimated cost of between $8 million and $19 million.

Yesterday, council community and recreation services manager Mick Reece said public consultation on the draft plan had prompted 17 submissions, including input from the Department of Conservation and individuals.


About half supported the draft plan's recommendations, while the rest had mixed views, he said.

A public hearing, set down for February 21 to 23, would be held to help determine a way forward, Mr Reece said.

chris.morris@odt.co.nz

Fears of dune collapse at city beach

A clay cap stretching 150m on top of sand dunes at Dunedin's Middle Beach has been removed by Dunedin City Council contractors, amid concerns further erosion could have caused it to collapse. Photo by Craig Baxter.
A clay cap stretching 150m on top of sand dunes at Dunedin's Middle Beach has been removed by Dunedin City Council contractors, amid concerns further erosion could have caused it to collapse. Photo by Craig Baxter.

As waves continue to erode Dunedin's Middle Beach, major excavations have been carried out in recent weeks to remove a clay cap covering sand dunes, which was at risk of collapse.
Dunedin City Council staff yesterday confirmed a clay cap stretching about 150m along the top of dunes at Middle Beach had been removed by contractors, amid fears it was being undermined by waves.
Parts of the cap had already fallen away, leaving plant roots exposed and the remaining cap at risk of collapsing on to the beach below, council parks manager Lisa Wheeler said.
Instead, the cap - up to 1m deep in places - and vegetation in the area was removed by council contractors last month, leaving a flat shelf, she said.
The clay was then replaced with about 7000cu m of sand dredged from Otago Harbour, to restore some of the top of the dunes, Mrs Wheeler said.
"When we took the clay capping off, it was just a flat shelf. We've actually brought the sand back on to try and build the dune back up again.
"It was quite significant [work]," she said.
Otago Regional Council consents required the city council to collect any clay falling on to beach, to prevent it being washed into the marine environment, she said.
The work was undertaken as a "precautionary" measure to avoid that, at a cost of $70,000, but also to ensure public safety for beach-goers, she said.
Public access to the dunes was already restricted, with the area above fenced off since it was discovered the dunes were contaminated by material from a historic landfill located under nearby Kettle Park.
However, plants left leaning over after parts of the cap collapsed were adding to the pressure on the shelf, Mrs Wheeler said.
"Some of it had [collapsed], and there were big cracks where even the pressure of just someone standing on it was moving some other areas of it.
"You just need another little bit of imbalance and it all would have just gone."
Council community and recreation services manager Mick Reece said the clay had been placed on top of the dunes "years ago" - although the exact date was not known - to help promote plant growth.
Adding the clay was "not a good move, as we now know", and would have had to be removed regardless of what decisions were made about the long-term future of Middle Beach.
"As the face of the dune was tested in any way by the weather, you have this great big pie crust on the top that if it was undercut at all, the whole thing collapsed, like slabs of clay down on to the beach.
"Whatever happens in the future ... that clay had to go anyway."